Priestess Guidance

Sunday, January 19, 2025

Lectio Divina

 Here is a quote from my Lectio Divina I did today:

"“Seeped into the mainstream”. THIS. This right here. It’s ridiculous. They make so many spiritual and religious and cultural, IMPORTANT things, into a laughing stock marketable gimmick and toy. That’s why these annoying cookie-cutter dudes look down on these things and don’t take it seriously. I wouldn’t either if I didn’t have the research and study I have under my belt."
Things like "moon child", astrology, rituals, even the Gods themselves, are thrown about in media and are taken and adopted by these people who have NO IDEA what they mean, or any truth about them except for what is shown on TikTok, magazines, celebrities, movies, etc.
This also happens with psychotherapeutic things as well. Real terminologies become "buzzwords" and are thrown about everywhere, so when it is something actually serious, now everyone already has a connotation that it's NOT that serious, or it's a type of "crying wolf" trope, and now real victims and people who need real help are overlooked/ignored.
Liberals perpetuate this shit, and conservatives take it and believe it.

Sunday, December 8, 2024

Unmasking the Truth: Yoga, Buddhism, and Eastern Religions Are More Than “Just Philosophies”

 “Yoga is just stretching.”

“Buddhism is just a philosophy.”
“Eastern traditions are ways of life, not real religions.”

These are statements many of us have heard, and perhaps even believed at some point. But these perspectives are not only inaccurate, they are also rooted in Western-centric assumptions about what constitutes a "real religion."

The truth is, systems like Yoga, Buddhism, Taoism, and other Eastern spiritual practices are not "just philosophies" — they are religions in their own right. They have sacred texts, moral frameworks, rituals, and pathways to spiritual transformation. So, how did they become reduced to "philosophies" in Western discourse, and why does this distinction matter?


The Western Definition of Religion: A Narrow Box

To understand why Yoga and other Eastern systems are dismissed as "philosophies," we have to look at how the West defines religion. The Western idea of religion is often influenced by Christianity and other Abrahamic faiths. For something to "count" as a religion in this framework, it must have:

  • A central deity or god figure,
  • A codified set of scriptures,
  • Formal worship practices (like weekly services), and
  • A clear line between the sacred and the secular.

Hinduism, Buddhism, and Taoism often don't fit neatly into this box. For instance, Buddhism doesn't revolve around a singular god, and yoga isn't necessarily practiced in a temple or church. But this doesn't mean they aren't religious systems. They have all the elements of religion — just in different forms.

Hinduism, for example, considers yoga a spiritual discipline to achieve union with the divine (Brahman). Yoga isn't just about physical postures (asana) but also about breath control (pranayama), moral observances (yamas and niyamas), meditation (dhyana), and ultimately, self-liberation (moksha). These are deeply spiritual goals. Similarly, Buddhism offers an Eightfold Path — a guide for living that includes moral conduct, mindfulness, and wisdom, all leading to enlightenment (nirvana).

Western frameworks, however, often overlook these elements because they don't resemble the structure of Christianity or other "familiar" religions. As a result, practices like meditation, yoga, and mindfulness are extracted from their spiritual roots and marketed as wellness trends.


The Impact of Western Reductionism: From Sacred to Secular

Why did the West feel the need to strip the "religion" label from these Eastern traditions? Part of it comes down to colonization, Orientalism, and cultural commodification. When colonizers encountered Eastern systems, they couldn't (or wouldn't) recognize them as "proper" religions. They categorized them as "philosophies" or "primitive spiritual systems" to maintain a perceived cultural superiority.

This reductionism continues today in the modern wellness industry. Yoga is packaged as fitness, not faith. Meditation is seen as a mental health tool, not a religious practice. Buddhism is praised for its "life advice," but its deeper spiritual truths are glossed over. This shift allows Western audiences to consume these practices without engaging with their cultural or religious roots. It makes it easier to "adopt" yoga without reflecting on Hinduism, or practice meditation without acknowledging Buddhism.

This is why you’ll see meditation apps offering "mindfulness exercises" with zero mention of Buddhism, despite the fact that mindfulness (or sati) is a core Buddhist practice. Similarly, yoga classes emphasize “mind-body connection” but rarely teach the Eight Limbs of Yoga, which include ethical precepts like non-violence (ahimsa) and truthfulness (satya).

By stripping these practices of their religious elements, the West can sell them as trendy self-improvement tools. But this also strips them of their depth, power, and authenticity.


Why This Distinction Matters

You might be wondering: Why does it matter if we call yoga a philosophy instead of a religion? Why not let people use yoga however they want?

Here’s why it matters:

  1. Cultural Appropriation and Erasure
    When a religious system is commodified into "just a philosophy," its cultural and spiritual context is erased. It becomes a product, something to be bought and sold. For Hindus and Buddhists, this erasure is deeply painful. Imagine if Christian prayer or Muslim fasting were marketed as "mindfulness hacks" for self-improvement. The disrespect would be obvious, but for Eastern traditions, it often goes unnoticed.

  2. Spiritual Bypassing
    By treating yoga, meditation, and mindfulness as quick-fix solutions for stress and anxiety, people bypass the deeper work of self-transformation. Yoga is not just physical stretching; it's a path toward enlightenment. Buddhism isn't just life advice; it's a way of ending suffering. When people ignore these deeper aspects, they miss the true power of these systems.

  3. Religious Integrity
    Calling yoga a "fitness routine" is like calling baptism a "cleansing bath." It reduces something sacred into something shallow. Respecting these systems as religions means acknowledging their wholeness, not just picking out the parts we like.


Reclaiming the Sacred: How We Can Do Better

So, how can we shift our understanding and start honoring these systems for what they are?

  1. Use the Right Language
    Instead of calling yoga a "philosophy," call it a spiritual path. Instead of calling mindfulness a "stress-relief technique," recognize it as a core Buddhist practice. Language shapes perception, and using respectful language helps restore dignity to these practices.

  2. Acknowledge the Source
    If you practice yoga or mindfulness, learn about its origins. Recognize that these aren't "universal wellness tools" — they have roots in Hinduism, Buddhism, and other Eastern systems. If you benefit from these practices, give credit where it's due.

  3. Deepen Your Practice
    If you engage with yoga or meditation, consider learning about their spiritual dimensions. Study the Eight Limbs of Yoga, not just the asanas. Learn about Buddhist teachings on compassion, suffering, and the Four Noble Truths. Instead of just practicing, connect with the deeper wisdom that these systems offer.

  4. Support Indigenous Voices
    Follow and support teachers who are rooted in the original traditions of these practices. Many Hindu, Buddhist, and Indigenous teachers are working to reclaim these spiritual systems from Western commodification. Their voices deserve to be heard.


Final Reflections

Yoga is not just a workout. Meditation is not just a "mental health hack." Buddhism is not just "life philosophy." These are religions with deep spiritual meaning, sacred texts, and pathways to liberation.

When the West reduces them to "philosophies," it erases their religious essence. It makes them easier to sell, but it also strips them of their authenticity and power.

The next time you hear someone say, "Yoga is just stretching," or "Buddhism is just philosophy," you’ll know better. These systems deserve to be seen for what they are: sacred, whole, and worthy of reverence.

By honoring the full religious context of Yoga, Buddhism, and other Eastern paths, we can approach them with the respect, gratitude, and depth they deserve. We don't have to "extract" their benefits to appreciate them. We can engage with them in a holistic way — body, mind, and spirit.

If you’ve benefited from these practices, consider taking a step back and asking, How can I honor the traditions that made this possible? The answer may lead you deeper than you ever expected.


What do you think? Have you experienced this shift in perspective? Leave a comment and share your story. Your reflections are always welcome.

Saturday, December 7, 2024

The Rise, Reign, and Evolution of YA: How Young Adult Fiction Transformed Modern Literature

 Introduction

For 15 years, the Young Adult (YA) category has been a dynamic, ever-changing force in publishing. But how did YA evolve from a niche section in libraries to a cultural phenomenon beloved by teens and adults alike? And why does it feel like YA is changing again? This article explores the history, growth, and current transformation of YA, offering insight into its past, present, and future.


1. The Birth of YA: From “Good for the Kids” to a Hybrid Haven

Not so long ago, bookstores had two main sections for readers: Children’s and Adult. Libraries sometimes offered a "Teen" section, but it was mostly stocked with books about "real-life issues" — think family problems, friendship conflicts, or "coming-of-age" narratives. These books were meant to be "Good for the Kids" — stories that were moral, educational, and wholesome.

That all changed in the early 2000s. A new type of book started appearing on the shelves — stories that were too gritty for Children’s books but too playful or fast-paced for Adult Fiction. These books featured foster kids battling demons, teens navigating family trauma while cavorting with fairies, and awkward first loves wrapped up in quirky rom-com adventures. This new breed of fiction didn’t fit into Children’s or Adult categories, and so YA was born.


2. The Golden Age of YA (2008-2012): The Boom of Genre-Bending, Blockbusters, and Bestsellers

By the time Twilight (2005) and The Hunger Games (2008) exploded in popularity, the YA category was no longer a quiet corner of the bookstore — it had become a cultural powerhouse. YA was no longer "just for teens." In fact, adults (aged 30-44) began buying YA in droves.

Why? YA was offering something fresh:

  • Tough Issues with a Twist: Stories that explored identity, mental health, and family struggles — but with magic, fantasy, or speculative elements blended in.
  • Relatable Characters: Teen protagonists were experiencing growth, self-discovery, and first love, themes that adults found just as compelling as teens.
  • Fast-Paced, Story-Driven Plots: Unlike "adult literary fiction," which often prioritized style over story, YA prioritized story-forward narratives filled with action, romance, and emotion.
  • Cross-Media Appeal: With adaptations like Harry Potter, The Hunger Games, and Twilight hitting theaters, more adults were pulled into YA. If a book had “movie potential,” it had "bestseller potential" too.

Authors like Suzanne Collins, Maggie Stiefvater, and John Green became household names. YA became a chimera of genres — speculative fiction, romance, and contemporary issues — and this blend attracted not just teens but also adult fantasy, romance, and thriller readers. With crossover readers came bigger sales, and YA books moved from cheap paperbacks to hardcovers, allowing authors and publishers to invest in more ambitious, genre-bending projects.


3. The Coming of Age: From “Category” to “Genre”

At first, YA was a category, meaning it was defined by its audience (teens). But as time went on, YA became something more: a genre with its own distinct storytelling style and traits.

Here are the hallmarks that defined YA during its "golden years" (2008-2017):

  • First-Person, Character-Driven Narratives: Most YA stories are told in first-person, creating an intimate connection with the protagonist's voice.
  • Action-Heavy Plots: Unlike slow, introspective adult fiction, YA tends to favor action and forward momentum.
  • Romance-Heavy Storylines: Romance became a cornerstone of YA, with "book boyfriends" dominating fan conversations online.
  • Trope-Awareness: YA leaned into tropes like "the chosen one," "enemies-to-lovers," and "found family" while also being self-aware enough to deconstruct them.
  • Politically Progressive Themes: YA embraced diversity, LGBTQ+ stories, and narratives centered on social justice, making it feel more inclusive and "woke" than traditional adult genres.
  • Stunning Covers: YA book covers became works of art, using bold typography, foil details, and rich, eye-catching colors.

By 2012, more than half of YA book sales were to adults. This had a profound effect on the industry. No longer did authors need to ask, “What do teens want to read?” They simply had to ask, “What do I want to read?” — and since most YA authors were adults, this created a shift toward more adult-appealing storylines, tropes, and marketing.


4. The Saturation Point: When YA Had Too Much "Baking Powder" (2018-2020)

Like a muffin with too much baking powder, YA eventually began to collapse under its own growth. Why?

  1. Oversaturation of Trends: With so many YA books being released, it became hard for readers to keep up. Many releases started looking "samey," with similar covers, similar plots, and similar tropes.
  2. Readers Outgrew the Market: Many readers who grew up on Twilight and The Hunger Games moved on to adult genres like fantasy, romance, and thrillers — especially when their favorite YA authors started writing for adults (like Leigh Bardugo with Ninth House).
  3. Blurred Genre Lines: YA conventions were so successful that they bled into adult genres. Fantasy, romance, and thrillers now had the same first-person narration, fast pacing, and love triangles that made YA famous. Fourth Wing (2023) is a prime example. Ten years ago, it would have been marketed as YA. Today, it’s marketed as adult fantasy.

The end result? YA stopped being "special." The things that made YA unique — romance, fantasy, action, emotional intimacy, and progressive themes — were now available in adult books. As readers and authors “aged up,” the boundaries of YA blurred.


5. The Legacy of YA: How It Changed Literature Forever

While YA may no longer be the unstoppable market force it once was, its legacy is undeniable. It transformed publishing, and its influence is seen everywhere in modern genre fiction. What YA gave us, mainstream adult fiction kept.

YA's Lasting Impact:

  • In Romance: The intimacy, emotional connection, and "book boyfriend" trope migrated into adult contemporary romance.
  • In Fantasy: New adult fantasy, like Fourth Wing, retains the fast pacing, found family, and romantic tension that YA perfected.
  • In Thrillers: Thrillers now feature faster plots, younger protagonists, and more female leads, traits inherited from YA.

YA did its job. It shook up publishing norms, expanded genre boundaries, and drew in readers from all walks of life. While readers have moved on, they took the best of YA with them. The books they’re buying today — fantasy, romance, thrillers — are still shaped by the YA values they grew up with.


Conclusion

YA has always been a shapeshifter. What began as a small, hybrid space for teens who craved more than "Good for the Kids" fiction evolved into a cultural juggernaut. It inspired billion-dollar film franchises, invited adults to the table, and changed the publishing industry. Now, as adults shift back to fantasy, romance, and thrillers, YA's golden age might feel like it’s behind us — but its values live on.

Where YA goes from here is anyone’s guess. But one thing is certain: YA didn’t just change the shelves. It changed fiction itself.

Thursday, November 14, 2024

Quote of the day - From Turn of Darkness

Turn of Darkness is my upcoming debut novel, set to go live Ostara of 2025. Prepare for a dark and dangerously gothic romance filled with courtly intrigue, vampyres, and morally dark grey men. Villain gets the girl. Lovers to enemies...to lovers? She falls first, he falls harder. Dream stalking. Obsession. Touch her and die. Possibly others, but I think you get the gist. Basically, my dream *swoon*. 

Want a sneak peek of my prose and writing style? Perhaps you're interested in the gothic atmosphere of this story. 

Either way, take a look at the first 3 paragraphs for Turn of Darkness: (unedited)

    The dark cobblestone roads reflected the moonlight off their damp surfaces, creating enough light for me to see as I strolled towards the Athenaeum, taking in the ethereal mist clinging to the ground as if it were a veil to the hidden world lying parallel to this one. As I moved, the haze clung to my ankles, cool and moist, leaving a slick trail of dew on my boots.

         I reached out, letting the moisture settle on my fingertips, feeling as if I were touching the edge of something otherworldly. The earthy, mossy scent of the cobblestones, slick with fog, reminded me of forgotten times, places where shadows whispered secrets no one else could hear.

         The haunting essence of the landscape around me had possessed me so intensely that I had drawn dangerously close to Blackwood Hall without realizing it. At this hour, I was meant to be in that building, among my peers, sitting at a desk and listening to a stiff-lipped woman drone on about the tragedy of The Darkest Turn in History. 

Are you as excited as I am to read this novel? Make sure to pre-order now so you'll be the first one to receive it as soon as it goes live! 

Pre-Order HERE!

NEW UPDATE: Date has changed to Yule of 2025. Get it as a Yule gift for someone you love, or even better, as a gift for yourself!

NaNoWriMo Day 14 – Are we there yet? …No.

 So…yeah. I do not have 25,000 words written. But what I do have is 6,300 words! Which is better than nothing. So I unfortunately cannot put 110% of my time and effort into writing. Which, thank Goddess for that; I would no longer hold any passion for the subject at all if it came to that. I can’t put 110% of my time into any one singular thing; it would drive me crazy. I wake up, do my morning routine, (Apollo ritual, divination, stretching/warm up/yoga, meditation), log in to my Vet Tech degree at Penn Foster online, and work on my classes from 9-12. Then I stretch again, get the blood flowing, and get ready for work. From 1-6 I work with children at an after-school program, then come home and take a nap from 6:30-7:30. I then get to work on my Priestess Guidance services (which you can find the details for on the Priestess page). This usually takes around an hour or two. Then it’s time for me to write. Which, by this time, my brain is practically fried. So unfortunately, there is absolutely no way I can write 1600 words a day. I do usually get about 500-1000 words a day, though, which is still good for me. It fits in with my deadline.

By the way, my deadline is March 21! (This is for editing as well.) Check out my novel Turn of Darkness on Amazon and pre-order now!

Click HERE to Pre-Order!

The Magician's Nephew

 


The Magician's Nephew by C.S. Lewis
Published The Bodley Head May 2, 1955
Genres Children's Fantasy, Christian Literature
Pages 186
Format Audiobook

The many readers who discovered C.S. Lewis’s Chronicles through The Lion, the Witch and the Wardrobe will be delighted to find that the sixth volume in the series is actually the first in the sequence—and a step back in time. In this unforgettable story, British schoolchildren Polly and Digory inadvertently tumble into the Wood Between the Worlds, where they meet the evil Queen Jadis and, ultimately, the great, mysterious King Aslan. We witness the birth of Narnia and discover the legendary source of all the adventures that are to follow in the seven books that comprise the series.

This edition follows the original numbering scheme. More recently, publishers have renumbered the volumes so that the events in the books are ordered chronologically. Other editions number this book as #1.

I have started a new way to read series, that might be a little controversial. Now, whenever I start a new book series, I want to read the first book chronologically. Not the first book that was published. I’m doing this with The Selection series, Warriors, and now with the Chronicles of Narnia. I was warned that this book wasn’t as good as the others, and that it had completely different characters than the main series. I shrugged it off and went ahead to read it anyway. (Or listen to it.) The understanding of why the cover has a picture of an apple becomes evident throughout the story, and that part was really sweet. It had some undertones of the Adam and Eve story, and it gives some backstory to the witch, though I’m not sure if any of that will matter now that I’m currently reading The Lion, The Witch, and The Wardrobe. Overall I do believe that this book is not necessary at all to read the rest of the series, and I’m not even sure how it connects to the main story at all. Are they related? Honestly, there are big chunks missing from my comprehension because it was an audiobook, so I’ll probably read the physical book one day to dive deeper into it and possibly write a better review.

With that being said, I’m not sure if I can recommend it to anyone. 


Tuesday, November 12, 2024

Bride of the Shadow King

Bride of the Shadow King by Sylvia Mercedes

Published Fyreworm Books July 1, 2022

Genres Adult Romantasy, Fae

Pages 400

Format ARC E-book BlogTour Honest Review

For fans of The Bridge Kingdom and A Deal with the Elf King, this arranged marriage romance about a human princess forced to wed a dark and desperate Shadow King is sure to entice!

A shunned princess. A reluctant king.
A marriage that could save both their kingdoms . . . but destroy their hearts.


Though she is the oldest daughter, Princess Faraine lives in the background, shunned from court and kept out of sight. Her chronic illness makes her a liability to the crown, and she has learned to give place to her beautiful, favored younger sister in all things.

When the handsome and enigmatic Shadow King comes seeking a bride, Faraine is not surprised that her sister is his choice.

Though not eager to take a human bride, King Vor is willing to do what is necessary for the sake of his people. When he meets the lively Princess Ilsevel, he quickly agrees to a marriage arrangement.

So why can’t he get the haunting eyes of her older sister out of his head?

When disaster strikes and the marriage alliance is compromised, Faraine suddenly finds herself forced to take her sister’s place . . . regardless of her new husband’s desires. Can she find a place at Vor’s side as his queen? Or is his heart forever closed to the woman who deceived him so cruelly?

Passionate and alluring, Bride of the Shadow King is an arranged marriage tale with dual point-of-view (his and hers). It’s perfect for fantasy fans looking for a touch of spice to go with the sweet in their next swoony, slow-burn romance.

Bride of the Shadow King is a captivating masterpiece that effortlessly blends elements of romance, fantasy, action, and adventure into a tale brimming with mystery, depth, and emotion. From the very first page, the world-building is rich and immersive. The author introduces us to a world filled with intrigue and allure, where magic intertwines with secrets, and nothing is as it seems. The setting is not just a backdrop but a living, breathing entity that shapes the story, immersing readers in its haunting beauty and complexity.

What sets this book apart is its character development. The protagonist, Faraine, is a beautifully flawed and relatable character. She is both strong and vulnerable, navigating a world that is both enchanting and dangerous. Her emotional growth throughout the novel is palpable, and I found myself rooting for her from start to finish. The Shadow King, Vor, with his brooding presence and mysterious motives, is the perfect foil to the Bride, creating a dynamic and complex relationship that kept me eagerly turning the pages.

The pacing of the novel is spot-on, with tension building steadily throughout the plot. There is an underlying sense of foreboding that is skillfully woven into the narrative, keeping readers on edge without overwhelming them. The romantic tension between the Bride and the Shadow King is electric, but it's the psychological and emotional layers of their relationship that make it truly compelling. The chemistry between them is palpable, but it’s their emotional vulnerability and the journey they embark on together that truly makes their story unforgettable.

The writing itself is lyrical and poetic, with a prose style that pulls you deeper into the world the author has created. The descriptions are vivid and evocative, allowing the reader to see, feel, and experience everything alongside the characters. The themes of power, trust, love, and sacrifice are explored in a way that feels both timeless and deeply personal.

In addition to the brilliant character development and world-building, the plot is full of unexpected twists and turns that keep the reader engaged. The stakes rise with every chapter, and just when you think you know where the story is headed, the author throws in a curveball that leaves you breathless.

Bride of the Shadow King is more than just a fantasy novel—it's an emotional rollercoaster, a journey through darkness, and a testament to the strength of the human spirit. It explores themes of love, power, and the complexity of human emotion in ways that feel raw and real. The book stays with you long after you’ve turned the final page, leaving you contemplating the nature of relationships, sacrifice, and the choices we make.

In conclusion, this book is an absolute must-read for fans of fantasy, romance, and dark academia. It’s a brilliant work that pulls you into its world, leaving you not only entertained but also deeply moved. I can’t recommend it enough.